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Comment |
Score |
Midi |
Recording |
License |
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| Magnificat octo tonorum, 4–6vv (Nuremberg, 1567) (RISM 1567b) [1567b] |
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| Patrocinium musices … Magnificat aliquot, quinta pars, 4–6, 8vv (Munich, 1576) (RISM 1576c) [1576c] |
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Patrocinium musices: Beatissimae deiparaeque Virginis Mariae canticum
Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich,
1587) (RISM 1587c) [1587d] |
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| Liber primus cantiones sacrae Magnificat vocant, 5, 6vv (Paris, 16021) [1602] |
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Iubilus beatae virginis, hoc est centum Magnificat, 4–8, 10vv (Munich,
1619) (RISM 1619a) [1619 |
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| Alma real se come fide stella (octavi toni), 5vv, 1619 (on Rore's madrigal); H xvi, 163 |
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| Amor ecco colei (septimi toni), 6vv, 1587d; H xiv, 231 |
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| Ancor che col partire (quarti toni), 5vv, 1576c (on Rore's madrigal); H xiv, 82 |
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| Aria di un sonetto (octavi toni), 5vv, 1587d (on D. Ortiz's Aria di Ruggiero); H xiv, 256 |
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| Aurora lucis rutilat (octavi toni), 10vv, 1619 (on own motet); H xvii, 124 |
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| Beau le cristal (sexti toni), 4vv, 1619 (on own chanson); H xvi, 230 |
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| Benedicta es caelorum regina (octavi toni), 6vv, 1602 (on Josquin's motet); H xv, 228 |
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| Dalle belle contrade (sexti toni), 5vv, 1619 (on Rore's madrigal); H xvi, 120 |
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| Deus in adjutorium (septimi toni), 6vv, 1587d (on own motet); H xiv, 189 |
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| Dessus le marché d'Arras (primi toni), 6vv, 1587d (on own chanson); H xiv, 158 |
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| Dies est laetitia (sexti toni), 6vv, 1602; H xv, 212 |
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| D'ogni gratia e d'amor (septimi toni), 6vv, 1619 (on Striggio's madrigal); H xvi, 188 |
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| Ecco ch'io lasso il core (secundi toni), 6vv, 1587d (? on Striggio's madrigal); H xiv, 201 |
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| Erano capei d'oro (septimi toni), 5vv, 1619 (on G.M. Nanino's madrigal); H xvii, 64 |
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| Hélas j'ai sans merci (septimi toni), 5vv, 1619 (on own chanson); H xv, 95 |
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| Il est jour (secundi toni), 4vv, 1587d (on Sermisy's chanson); H xiv, 133 |
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| Las je n'iray plus (secundi toni), 5vv, 1619 (on own chanson); H xv, 46 |
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| Mais qui pourroit (secundi toni), 6vv, 1587d (on own chanson); H xiv, 275 |
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| Margot labouréz les vignes (septimi toni), 4vv, 1619 (on own chanson); H xvi, 154 |
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| Memor esto (secundi toni), 6vv, 1619 (on own motet); H xvii, 107 |
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| Mort et fortune (tertii toni), 5vv, 1587d (on Gombert's chanson); H xiv, 263 |
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| O che vezzosa aurora (secundi toni), 6vv, 1619 (on Vecchi's madrigal); H xvi, 175 |
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| Omnis enim homo (primi toni), 6vv, 1587d (on own motet); H xiv, 216 |
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| Omnis homo primum bonum vinum ponit (sexti toni), 6vv, 1602 (on Wert's motet); H xv, 181 |
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| O s'io potessi (secundi toni), 4vv, 1619 (on Berchem's madrigal); H xv, 3 |
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| Pange lingua gloriosa (septimi toni), 4vv, 1619; H xvi, 241 |
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| Praeter rerum seriem (secundi toni), 6vv, 1602 (on Josquin's motet); H xv, 248 |
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| Quando lieta sperai (quarti toni), 6vv, 1587d (on a madrigal variously attrib. Rore and Morales); H xiv, 243 |
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| Quant'in mille anni il ciel (secundi toni), 6vv, 1587d (on Nollet's madrigal); H xiv, 141 |
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| Recordare Jesu pie (septimi toni), 6vv, 1619 (on own motet); H xvi, 134 |
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| S'io credessi per morte (tertii toni), 4vv, 1619 (on A. de Reulx's madrigal); H xvi, 221 |
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| S'io esca vivo (septimi toni), 6vv, 1619 (on own madrigal); H xv, 108 |
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| Si par souhait (primi toni), 4vv, 1587d (on own chanson); H xiv, 126 |
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| Si vous estes m'amie (sexti toni), 6vv, 1619 (on own chanson); H xvii, 94 |
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| Susanne un jour (primi toni), 6vv, 1587d (on Lupi's chanson); H xiv, 174 |
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| Tant vous allez doux (sexti toni), 6vv, 1619 (on Ebran's chanson); H xv, 74 |
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| Ultimi miei sospiri (secundi toni), 6vv, 1619 (on Verdelot's madrigal); H xv, 58 |
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| Vergine bella (primi toni), 5vv, 1619 (on Rore's madrigal); H xvi, 108 |
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| Vola vola pensier [Aeria a la italiana] (octavi toni), 5vv, 1602; H xvii, 3 |
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| Vous perdez temps (septimi toni), 5vv, 1619 (on Sermisy's chanson); H xvi, 267 |
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| Primi toni, 4vv, 1576c, H xiv, 75 |
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| Primi toni (i), 5vv, 1619, H xvi, 92 |
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| Primi toni (ii), 5vv, 1619, H xvi, 108 |
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| Primi toni (iii), 5vv, 1619, H xvi, 259 |
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| Secundi toni, 5vv, 1619, H xv, 10 |
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| Secundi toni, 6vv, 1619, H xvii, 76 |
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| Quarti toni (i), 5vv, 1619, H xv, 16 |
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| Quarti toni (ii), 5vv, 1619, H xvii, 48 |
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| Quarti toni, 8vv, 1619, H xv, 138 |
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| Quinti toni, 6vv, 1619, H xvii, 14 |
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| Sexti toni (i), 5vv, 1619, H xv, 24 |
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| Sexti toni (ii), 5vv, 1619, H xv, 30 |
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| Sexti toni (iii), 5vv, 1619, H xvi, 57 |
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| [Sexti toni], 5vv, MS c1582, H xv, 201 |
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| Sexti toni, 8vv, 1576c, H xiv, 94 |
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| Septimi toni (i), 5vv, 1619, H xv, 35 |
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| Septimi toni (ii), 5vv, 1619, H xvi, 67 |
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| Septimi toni ('perpulchrum'), 7vv, 1619, H xvi, 204 |
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| Septimi toni, 8vv, 1576c, H xiv, 112 |
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| Septimi toni, 8vv, 1619, H xv, 152 |
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| Septimi toni, 10vv, MS, H xvii, 150 |
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| Octavi toni (i), 5vv, 1619, H xv, 40 |
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| Octavi toni (ii), 5vv, 1619, H xvi, 80 |
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| Octavi toni, 6vv, 1619, H xv, 126 |
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| Octavi toni (i), 8vv, 1619, H xv, 166 |
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| Octavi toni (ii), 8vv, 1619, H xvii, 31 |
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| 8 settings, octo tonorum (i), 4vv, 1567b, H xiii, 245 |
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| 8 settings, octo tonorum (ii), 4vv, 1587d, H xiv, 3 |
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| 8 settings, octo tonorum (i), 5vv, 1567b, H xiii, 143 |
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| 8 settings, octo tonorum (ii), 5vv, 1619, H xvi, 3 |
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| 8 settings, octo tonorum, 6vv, 1567b, H xiii, 3 |
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